About this ebook
A magisterial biography of novelist and critic John Berger, whose work—including Ways of Seeing and the Booker-prize winning G.—revolutionized the critical tradition in the twentieth century
John Berger (1926–2017) served in Britain’s wartime army before attending art school. The young artist became a critic and broadcaster, cutting a swathe through the staid world of post-war Britain, demanding political engagement in all things. In 1972, he came to prominence with Ways of Seeing, a TV series and book that inspired generations to look more closely and think more deeply about art.
Committed to the passionate exploration of life in all its forms, unbounded by convention, he applied himself to a panoply of genres, media, and subjects. His career defies definition. His work reimagined the relationship between art and society; human and animal; living and dead. He charted the disappearance of peasants from the world; documented migrant labour; explored the AIDS crisis; and was trenchantly opposed to the new world order that emerged in the 1990s, as he was to the War on Terror that followed. Berger was deeply and vocally committed to the Palestinian cause.
Through working on Berger’s archive at the British Library and fifteen years of getting to know his family, friends, lovers, and collaborators, Tom Overton has produced a portrait of an artist and storyteller who defined and transcended his times.
John Berger (1926–2017) served in Britain’s wartime army before attending art school. The young artist became a critic and broadcaster, cutting a swathe through the staid world of post-war Britain, demanding political engagement in all things. In 1972, he came to prominence with Ways of Seeing, a TV series and book that inspired generations to look more closely and think more deeply about art.
Committed to the passionate exploration of life in all its forms, unbounded by convention, he applied himself to a panoply of genres, media, and subjects. His career defies definition. His work reimagined the relationship between art and society; human and animal; living and dead. He charted the disappearance of peasants from the world; documented migrant labour; explored the AIDS crisis; and was trenchantly opposed to the new world order that emerged in the 1990s, as he was to the War on Terror that followed. Berger was deeply and vocally committed to the Palestinian cause.
Through working on Berger’s archive at the British Library and fifteen years of getting to know his family, friends, lovers, and collaborators, Tom Overton has produced a portrait of an artist and storyteller who defined and transcended his times.
A magisterial biography of novelist and critic John Berger, whose work—including Ways of Seeing and the Booker-prize winning G.—revolutionized the critical tradition in the twentieth century
John Berger (1926–2017) served in Britain’s wartime army before attending art school. The young artist be...
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About the author
Tom Overton catalogued John Berger’s archive at the British Library. He worked with Berger on editing Portraits: John Berger on Artists and Landscapes: John Berger on Art. He collaborated with Matthew Harle on The Underground Sea: John Berger on Miners and the Miners’ Strike and with Katya Berger on a forthcoming edition of Berger’s letters. He has written for the Guardian, New Statesman, and Frieze, and the London Review of Books and Paris Review blogs. He currently works as the Archive Curator of the Barbican Centre and lives in Sheffield.
Tom Overton catalogued John Berger’s archive at the British Library. He worked with Berger on editing Portraits: John Berger on Artists and Landscapes: John Berger on Art. He collaborated with Matthew Harle on The Underground Sea: John Berger on Miners and the Miners’ Strike and with Katya Berger...
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